Dedicated People

Who Make a Difference

Salt Lake is filled with people whose names may never appear on marquees, yet whose presence shapes this community in meaningful and lasting ways. What began as conversations with small business owners soon revealed something larger: men and women who lead organizations, serve on boards, support the arts, advocate for others, and quietly strengthen the city in ways that often go unnoticed.

Dedicated People Who Are Shaping Salt Lake shares the stories behind these individuals - people whose work, generosity, and commitment extend far beyond any job title. New profiles will be added regularly to our website’s Sideways Stories, as well as our monthly newsletter, honoring those who make Salt Lake stronger, kinder, and more connected.

I welcome suggestions for future profiles - for people whose quiet, extraordinary contributions deserve to be shared.

James Brown

“I’ve been blessed with just enough foolishness to believe that I could make something happen.” James Brown’s grin stretches across his face as he reflects on the winding road that brought him to Salt Lake City, and the impact he continues to make (or after) eight decades (later). His journey is one of relentless reinvention, risk-taking, and belief in possibility.

Born and raised in San Francisco, James speaks with deep reverence for the community that shaped him. “We didn’t see color. We saw people. That’s the way I grew up.” In the neighborhood he remembers so vividly, it was not unusual for families of every background to live side by side, raising one another’s children and looking out for their neighbors. “It was a collage,” he says. “And that stayed with me.” He went on, chuckling as he recalled being a young kid, leaping into the bay with his friends to hunt for tiger sharks. They would hit them on the head with a bat, tie them to their bicycles, and pedal to the fish market where the owner would hand over five dollars for each one. “So that was our game - let’s go get some sharks. I realized how foolish we were when I got older.”

In 1969, James landed a job with Shell Oil, marking the start of his professional life. But the years that followed were anything but linear. In the early 1970s, he made his way to Los Angeles where he lived with Sylvester Stewart - better known as Sly Stone of Sly and the Family Stone. “It was wild,” James says. The drugs, the parties, the celebrity chaos - it was not the life he wanted, but it opened his eyes. He began going back and forth between LA and San Francisco, eventually spending time in Portland and smaller towns in Oregon. 

Then came an unexpected move - following a girlfriend to Salt Lake City. The relationship did not last, and James ended up briefly in Evanston, Wyoming. But something about Utah stuck. “I didn’t know it then,” he says, “but Salt Lake was where I’d finally figure out how to build something that mattered.”

At first, James had no real plan. But he had ideas - lots of them - and a knack for connecting with people. He started attending events, talking to local media folks, stopping by places where decisions were made. “I just kept showing up,” he laughs. “You’d be surprised how far that gets you.” His charisma, creativity, and persistence caught the attention of people in the television and radio world. Before long, he was consulting on advertising campaigns and pitching community-oriented concepts.

What started as scattered consulting gigs eventually coalesced into a real business. James founded his own marketing company and began producing public-access television content. He developed a reputation for blending entertainment with purpose, always with an eye toward uplifting others, especially older adults who were too often overlooked. Then came a moment he will never forget: a $2,500 check from Bountiful International. “They just said, ‘We like what you’re doing. Keep going.’ That kind of belief. It lit a fire.”

James’s most enduring contribution may have been his creation of New Horizons, a talk show that aired on ABC4 for several years, beginning in the late 1990s and running into the early 2000s. It gave voice to people across the community - particularly seniors - with stories of resilience, change, and pride. Around the same time, he also made appearances on local radio, always sharing his message of possibility and perseverance.

Eventually, James took a bold leap: renting a massive space to launch Salt Lake Studios, a production facility that would house his growing operation. It was his biggest endeavor yet. The building buzzed with energy and ambition. But then, after years of investment and growth, it was taken away, confiscated by the government over a technicality involving the building’s owners. “It was devastating,” James says. “But I had learned to lose before. I knew how to get back up.”

Today, James is the force behind Living and Aging with Pride - a show, a concept, and a calling. “Older folks have lived. We’ve survived everything life threw at us. We have more wisdom than the world gives us credit for.” His mission now is to create spaces on screen and off where that wisdom is recognized, valued, and shared.

“I’m eighty years old,” he says, “and I’m still dreaming. Still building. Because if you’re lucky enough to keep living, you better be bold enough to keep creating.”

Angelica Matinkhah

“This community adopted me,” said Angelica Matinkhah, known to most as Angie. She grew up in the Philippines surrounded by strong role models. Her father was an engineer and a university professor, and her mother was one of the first women to graduate from her dental school, though she set aside that career after marrying. “My dad owned a respected electrical consulting firm. He also taught at three universities at one time. He was super smart.” Angie, on the other hand, insists she was not naturally smart, just determined.

Angie attended Catholic schools run by nuns, graduating from the University of the Philippines with a degree in Architecture in 1981. From the start, she thought architecture was her destiny until she realized she lacked the deep passion many of her peers had. “I wanted to shift to engineering but was stubborn about finishing my degree in the five years it was supposed to take. Stupid pride,” she said with a laugh.

Angie had spent her school years in the care of Catholic nuns - first at an elementary school run by Spanish nuns and later at the Assumption for high school where the nuns wore striking purple habits. “They were strict, but they instilled in us a sense of discipline and values that has stayed with me all my life,” she recalled.

A turning point came when Angie began shadowing the specification writer at Leandro V. Locsin and Partners, then the most prestigious architectural firm in the Philippines. She discovered she loved the precision of specifications - the written documentation that tells builders exactly how to execute a design - and became the firm’s spec writer, a role that allowed her to contribute to every project.

Angie’s firm was commissioned to work on the palace of the Sultan of Brunei, then the richest man in the world, but she declined the offer to relocate for the project. Around the same time, she was awarded a Rotary Foundation scholarship for graduate school. Utah was not her first choice, but cost and circumstance brought her to the University of Utah’s Graduate School of Architecture in 1983, not knowing much about the school or the city.

What Angie found was serendipitous. Although she had written to the school requesting to study specifications and computers in architecture, she was mistakenly placed in a design studio. Speaking up to correct her misplacement changed her life. She was introduced to Dr. Ted Smith, perhaps the only person in the U.S. with exactly the expertise she sought - an Architect who had pioneered integrating specifications into computer systems - and to Dr. Wayne Rosenberg, an early computer science leader. Both became her mentors, guiding her through a graduate fellowship and eventually inviting her to become a partner in ARCOM, the small specification software division Ted purchased in 1987.

For decades, Angie helped grow ARCOM, translating the American Institute of Architects’ MasterSpec documents into emerging word processing platforms, expanding its reach as personal computers transformed the profession. When the company was eventually sold to a private equity firm in 2016, she assumed she would work there for life. As her attorney warned, however, upper management was let go within a year. “It broke my heart,” she admitted. “But now I see it was a gift. It gave me the chance to pour my time into the community.”

By then divorced and an empty nester, Angie jumped in. She joined the University of Utah Alumni Board of Governors, reconnecting with her alma mater and helping lead initiatives such as eliminating dues so all graduates could be considered alumni. She joined the Pioneer Theatre Company Board, supporting a regional theater she loves, serves on the College of Fine Arts Advisory Board, is a volunteer for the U’s Osher Lifelong Learning Institute, and mentors two amazing young ladies who are scholarship recipients of the First Ascent Scholars program.

Angie is a member of the Pioneer Theatre and Ballet West Guilds and continues to be a loyal patron of Utah’s cultural institutions. She attends Pioneer Theatre and two other theater company productions regularly. As passionate as she is about the arts, Angie is also an avid supporter of Utah Athletics and beyond; she has season tickets to University of Utah football, women’s & men’s basketball, gymnastics, and volleyball, and is a longtime Utah Jazz fan.

Angie serves on the board of Who Rocks the House, a support club for the University of Utah Gymnastics program, as well as on the Board of EmpowHER, an initiative that advances the women of Utah athletics in the pursuit of academic excellence and competitive success.

Angie’s calendar overflows with performances and events: Red Butte Garden concerts, Utah Symphony programs, board and guild meetings, volunteer work, athletic events, and the Wasatch Speaker Series, which has hosted names like Sec. Hillary Clinton, Pres. Joe Biden, and Malala. Capt. Sullenberger, Steve Wozniak, and Anderson Cooper are speakers to be. 

Angie supports smaller theaters and music venues and never misses a chance to introduce friends to the arts. Her memberships and tickets are, in her words, “little ways I can help support them,” but her impact is far from small. Whether in a theatre lobby, at a stadium, or sitting on a board, Angie is constantly building connections that strengthen Salt Lake City’s cultural life.

One of Angie’s proudest commitments is serving on the steering committee of 100 Women Who Care SLC, a giving circle whose members each contribute $100 per quarter. At quarterly meetings, three nonprofits present, members vote, and the chosen organization receives the pooled funds - often $25,000 or more. “Your $100 makes such a big difference when it’s combined,” she said. “It’s such a simple, powerful way to help.”

Angie’s love for Salt Lake City was not instant. When she first arrived from the Philippines, she missed the diversity of larger cities and traveled out of town at every opportunity. But gradually, she found herself eager to return - to the friendly people, the mountains, the clean, wide streets. She and her then-husband considered moving to California but chose to raise their children here. “It’s my home, and I feel responsible for giving back.”

Today, Angie is a tireless advocate for the organizations and causes she loves. She works behind the scenes to bring people together, to shine a light on artists, athletes, and changemakers, and to strengthen the city she has called home for over four decades. “There are so many little ways we can help,” she said. “Even if it’s just supporting a local business or buying a ticket to a performance - it all matters.”

Marguerite Henderson

“Every Sunday, the whole block smelled like tomato sauce. You could walk down the street and know what everyone was cooking.” Marguerite Henderson, who has inspired so many Utahns in the culinary arts, grew up in Bensonhurst, Brooklyn, in a world that felt like its own little country. Her street was lined with families who all knew one another, and inside her house lived three generations - grandparents, aunts, uncles, her mother and brother - seven people “on a good day.”

Marguerite’s grandparents had come from Sicily in 1920, bringing with them the stories that stitched together family lore - olive groves and grocery stores back home, a grandmother who declared after the First World War, “We’re out of here,” and bought the tickets herself, and a brother already settled just outside of New York City waiting to help them get started. There were always whispers about how no one seemed to work but money never ran out - those colorful, half-true tales that make a family unforgettable. It was a lively, flavorful upbringing, steeped in love and tradition.

Marguerite was a true city kid with a key to the world. There were piano, dance, and art lessons. Saturdays were spent by the stage door waiting for actors to emerge, subway rides to the Met or a Broadway matinee. And the day Dustin Hoffman strolled by during a bomb scare evacuation near St. John’s and she simply said, “hi.” She attended public school through eighth grade, a Catholic girls’ high school, then St. John’s University to study elementary education. Yet the truest lessons always came from home.

Marguerite’s mother, Rose, was the heart of it all. She was elegant, social, and deeply talented. She worked in the garment district, sketching prom gowns on scraps of paper and sewing them into perfection at night. She was an extraordinary cook who taught herself through the recipes of Craig Claiborne of The New York Times and, in the early days, Julia Child. “She was so particular about how things were cut and chopped. Everything had to be uniform.” Every Sunday, Rose set the table with china and crystal, and she had a gift for making her daughter feel capable in the kitchen. By fourteen, Marguerite was cooking family dinners. By seventeen, her friends were lining up for a seat at the table.

In that house of many women, there was balance. Marguerite’s grandmother did not cook but crocheted the most beautiful sweaters for everyone in the family. Out back grew grapevines for homemade wine, tidy rows of tomatoes and garlic, and a single fig tree that stood watch in the center. “It was a good life,” Marguerite said softly. “We just didn’t realize at the time how lucky we were.”

Love and chance have always followed Marguerite. At a grand Italian wedding in Manhattan in 1970 - “complete with a satin money bag and all” - she met Robert, a West Point graduate just beginning his life in the military. Her date had canceled, leaving an empty seat that changed everything. Soon there were Fifth Dimension concert tickets with Robert, dinners in the city, and a wedding one week after she graduated from St. John’s. Germany followed - first as a young officer’s wife, later as a teacher during their four-year posting after law school. She taught literacy to GIs, some behind grade level but all eager to learn, and in between, she and Robert traveled across Europe on a shoestring. Their two children - Justin, born in 1976, and Sarah, in 1978 - joined the adventure.

When it came time for law school, Robert chose the University of Utah over Harvard, wanting to stay close to his family’s Idaho ranch. By 1980, they had settled in Salt Lake City with two small children and Marguerite’s firm belief that she needed to keep her mind, her hands, and her heart working together. “I could never not work,” she said.

Marguerite’s path unfolded naturally, one opportunity leading to the next. While living near Fort Lewis in Washington State, she spotted a small newspaper ad seeking someone to teach night classes in French and Italian cooking at a community college. She took the chance and discovered that teaching food was as fulfilling as cooking it. In Salt Lake City, another ad led her to Gabby Gourmet, Fred Wix’s beloved shop in Holladay, where from 1980 to 1983 her classes were packed every night. Students became clients, and soon she launched her own catering business, Culinary Delights, serving film commission organizations, banks, and community events. She delivered lunches to Robert Redford during Sundance at the Egyptian Theatre, catered fundraisers - including one for Senator Orrin Hatch - and became known for generous, beautifully prepared meals that brought people together.

By 1994, Marguerite and her business partner, Eileen, opened a small restaurant-market in Park City that quickly became a local favorite. The following year, they moved to the Avenues and opened Cucina, a place that still lives in the city’s memory. Its glass cases overflowed with roasted vegetables, chicken salads, pastas, fruit, and composed greens. She baked her famous scones each morning and insisted that day-old bread become bread pudding- never sandwiches. Lunchtime was a whirlwind of hospital and university orders, neighbors stopping in for dinner to go, and lines that stretched out the door on rainy Fridays. “I’d send someone down the line with brownies cut into quarters so no one waited hungry,” she recalled.

The soul of Cucina was the people who made it hum. Marguerite’s daughter managed the front, her son delivered orders, and the kitchen was filled with cooks who were treated and paid with respect. Most memorable of all was Joaquin, the dishwasher who arrived each day in a pressed white shirt and bow tie and stayed for decades. He raised his family on that job, watched over the dining room with quiet pride, and became part of the Henderson story. “God was looking out for us,” Marguerite said.

Television soon came calling. First it was small cooking segments filmed at Cucina, followed by a long run on KSL’s News at Noon, where   Marguerite became affectionately known as “the Wednesday Lady.” Her first cookbook, Savor the Memories (2001), was self-published and illustrated by a high school friend. Later came her partnership with Utah publisher Gibbs Smith, followed by more books and countless home cooking classes that sold out season.

When she and Eileen sold Cucina in 2001, it was not goodbye - it was simply the next chapter. Marguerite continued writing, consulting, and developing recipes for organizations from the California Cheese Commission to local restaurants. She kept appearing on television, kept opening her home kitchen to students, and kept feeding her community in every sense of the word.

Throughout the conversation, Marguerite returned again and again to Brooklyn, to her mother, and to the lessons passed down through food. The family recipes were not just meals - they were love stories told through flour, tomatoes, and time. Her nephew still cooks her grandmother’s bolognese and keeps Rose’s handwritten carrot cake recipe framed on the kitchen wall. And Marguerite, now a grandmother herself, still feels that connection each time she slices a carrot just right.

Due in fall of 2026, Heirloom Italian Cookbook - a celebration of 125 recipes and the stories behind them - will be published by Gibbs Smith. Sicily may be having its moment in world travel, but Marguerite’s moment has been building for decades. It is the scent of Sunday sauce drifting through Bensonhurst, the fig tree in her backyard, the Easter parade on Fifth Avenue, the laughter around Cucina’s tables, and the steady rhythm of a woman who has always followed her heart into the kitchen. “I introduced my mother in the Cucina kitchen once and said, ‘This is the lady who made me who I am today.’”

Stuart Melling

“I can talk about food all day, but that does not mean people should listen.” Many of us in Salt Lake City would politely disagree with Stuart Melling. His newsletter, Gastronomic, is read by thousands and quietly revered. Readers look forward to what he has to share. He has his pulse on the city’s food scene, and his clear-eyed view is what keeps people coming back each week to learn what is opening, what is closing, and what deserves attention right now. 

Stuart did not arrive in Salt Lake City intending to become its most trusted online voice on dining. He came because of a conversation that began on an internet forum long before dating apps or social media - when curiosity, patience, and long phone calls still mattered.

Stuart grew up in Wigan, a former industrial mining town in England where eating out was a rarity. Life was simple. Both parents worked. London felt far away. Food was not yet an obsession. At university in Manchester, Stuart studied computer science, convinced from childhood that he wanted to be a programmer. He soon realized that he did not enjoy it the way he expected, but the internet itself stayed central to his life. It was there, in 1997, in a music forum, that he met Wendi, a Utahn with a shared love of bands and conversation. Messages became emails. Emails became expensive phone calls, made possible by international calling cards and a willingness to stay up late on both sides of the Atlantic. 

By the middle of 2000, Stuart was visiting Utah regularly. In 2005, he married Wendy, and Salt Lake City became home. As they settled in, the couple began eating out frequently. They read local reviews, tried the places being praised, and kept noticing the same disconnect. What was being written did not always line up with what they were experiencing. Stuart, well-equipped technically and never short on opinions, decided to build something better. He launched Gastronomic in 2007. The name was complicated. The idea was not. He wanted accuracy, context, and honesty written by someone who actually paid attention. What began as restaurant reviews gradually evolved into something far more useful - a living record of the city’s dining landscape, tracking its shifts, and its momentum. “I just wanted people to know where their money is best spent.”

That clarity of purpose helped establish Stuart’s reputation. From about 2010-2015, it also led to several years of freelancing restaurant reviews for The Salt Lake Tribune. But writing formally as a critic in a small city comes with its limits. Salt Lake is not New York. Critics are recognizable. Stuart jokes that it is hard to miss “the English guy with the long hair, the beard, and the nose ring.” Once people know who you are, anonymity disappears, and so does the illusion that one person’s experience can be definitive.

More importantly, Stuart's thinking shifted. Why should one person’s taste decide the fate of a business? Why flatten complex, hardworking places into a verdict or a star rating? “I am not here to tell you what is best. I am here to tell you what is happening.”

That change sharpened his voice. Gastronomic became less about judgment and more about attention - attention to new openings, quiet closures, neighborhood changes, and, a few years later, the fragile economics of running an independent restaurant in a post-Covid world. Dining out has become a luxury. Margins are thinner. Costs keep rising. And when a place closes, the story is often far more complicated than a headline suggests. “Restaurants disappear quietly if nobody is paying attention.”

What many readers may not realize is that Gastronomic is not Stuart’s full-time job. In 2000, he co-founded a UK-based technology company with a former university roommate, specializing in WordPress web hosting and infrastructure. More than twenty-five years later, in 2026, the company is still operating - intentionally small, built around real people answering phones, no scripts, no automation. That independence matters. It allows Stuart to remain his own boss, and to run Gastronomic without pressure to chase clicks, favors, or approval.

Trust sits at the center of everything he does. Stuart pays for his meals whenever possible. Sponsored content is clearly flagged. Partnerships are selective. “If you do not have trust,” he says, “you do not have anything.” He also works within real constraints. He does not drive. He never has. In a city built around cars, he moves through Salt Lake on foot, by ride services, and through relationships. That limitation has narrowed his geography but deepened his knowledge. He writes about the places he can truly know.

Ask Stuart about Salt Lake City’s food scene today, and he will tell you it is exciting, fragile, and constantly misunderstood. "Every five years, someone insists the city was better five years ago." Outside publications drop in, crown a single restaurant, and leave. Meanwhile, dozens of small places work long hours, raise families in back kitchens, and eventually decide quietly that they are done. Stuart pays close attention. He documents. He shares. He shows people where to look. “While they are still here, I want to help them.”